©2023 Design LOL LLC
All images copyright of their respective owners.
Tax Tactic of the Ultra-Wealthy: Split the Masterpiece in Two
Illustration by
Nick Little
Artworks © copyright of their respective owner(s).
Tax Tactic of the Ultra-Wealthy: Split the Masterpiece in Two
published by
Bloomberg
on
View Article

Illustrator

Nick Little

Art Director

Subject

arts
money

Tone

Hidden Tag Link
absurd
Hidden Tag Link
witty

Tags

Hidden Tag Link
colorful
Hidden Tag Link
flat
Hidden Tag Link
animated
Hidden Tag Link
lines
Hidden Tag Link
interior
Hidden Tag Link
grid
Hidden Tag Link
patterns

Related Imagery

Code Switch: Archeological skeletons in the closet
Code Switch: Archeological skeletons in the closet
Illustration by
Gabriella Trujillo
art direction by
published by
NPR
The devil wears Shein
The devil wears Shein
Illustration by
Arif Qazi
art direction by
published by
Insider
Chris Ware’s “Lockdown”: The artist discusses using his daily life in his drawings, and his daughter’s experience with school shooting drills.
Chris Ware’s “Lockdown”: The artist discusses using his daily life in his drawings, and his daughter’s experience with school shooting drills.
Illustration by
Chris Ware
art direction by
published by
The New Yorker
MOMENT 2: What We Talk About When We Talk About Our City
MOMENT 2: What We Talk About When We Talk About Our City
Illustration by
Manshen Lo
art direction by
published by
MOMENT Magazine
Baseball Was My Life. Then I Stopped Being Able to Throw the Ball.
Baseball Was My Life. Then I Stopped Being Able to Throw the Ball.
Illustration by
Shee P. Liu
art direction by
published by
New York Times
The official bottled water power rankings
The official bottled water power rankings
Illustration by
Haruko Hayakawa
art direction by
published by
Los Angeles Times
How Would You Feel About a 100-Year-Old Doctor?
How Would You Feel About a 100-Year-Old Doctor?
Illustration by
Celyn Brazier
art direction by
published by
New York Times
Deadline
Deadline
Illustration by
Bianca Bagnarelli
art direction by
Francoise Mouly
published by
The New Yorker