©2023 Design LOL LLC
All images copyright of their respective owners.
Invisibilia: The Great Narrative Escape
Illustration by
Qieer Wang
Artworks © copyright of their respective owner(s).
Invisibilia: The Great Narrative Escape
published by
NPR
on
View Article

Illustrator

Qieer Wang
New York, NY

Art Director

Subject

entertainment
travel
culture

Tone

Hidden Tag Link
tranquil
Hidden Tag Link
bright
Hidden Tag Link
joyful

Tags

Hidden Tag Link
texture
Hidden Tag Link
colorful
Hidden Tag Link
landscape
Hidden Tag Link
rainbow
Hidden Tag Link
hands
Hidden Tag Link
phone
Hidden Tag Link
nature
Hidden Tag Link
water

Related Imagery

Your Kid Doesn’t Need to Be LeBron or Serena
Your Kid Doesn’t Need to Be LeBron or Serena
Illustration by
Nick Little
art direction by
published by
New York Times
Financial Instability Is a Mental Health Crisis
Financial Instability Is a Mental Health Crisis
Illustration by
Olivia Fields
art direction by
Dora Godfrey
published by
Elemental, by Medium
Cursive Handwriting and Other Education Myths
Cursive Handwriting and Other Education Myths
Illustration by
Gizem Vural
art direction by
Francesco Izzo
published by
Nautilus
The Negotiators
The Negotiators
Illustration by
Anuj Shrestha
art direction by
published by
Foreign Policy
Chris Ware’s “Lockdown”: The artist discusses using his daily life in his drawings, and his daughter’s experience with school shooting drills.
Chris Ware’s “Lockdown”: The artist discusses using his daily life in his drawings, and his daughter’s experience with school shooting drills.
Illustration by
Chris Ware
art direction by
published by
The New Yorker
Second Life
Second Life
Illustration by
Katherine Lam
art direction by
published by
The Atlantic
The Flashing Warning of QAnon
The Flashing Warning of QAnon
Illustration by
Max Löffler
art direction by
Sebit Min
published by
The New Yorker
An Eco-Conscious Poet Whose Real Subject Is Consciousness Itself
An Eco-Conscious Poet Whose Real Subject Is Consciousness Itself
Illustration by
Sanchit Sawaria
art direction by
Matt Dorfman
published by
New York Times